A Postcard from the Dystopy
About the story
The main idea was to show nature in a technical world that constantly leads an unequal struggle for survival.
This music video is essentially a manifesto about the fight of nature against the artificial world.
At this point, the question arises: can machines imitate the behavior of nature?
Or even more: what if machines could imitate human emotions, for example, love?
Will it be a true love or just a string of ones and zeros?
All these questions were at the heart of the narrative...
This music video is essentially a manifesto about the fight of nature against the artificial world.
At this point, the question arises: can machines imitate the behavior of nature?
Or even more: what if machines could imitate human emotions, for example, love?
Will it be a true love or just a string of ones and zeros?
All these questions were at the heart of the narrative...
I wanted to tell a simple story.
It was supposed to be as simple as possible to work well with the music layer.
The main goal was to depict two robots and their last minutes of existence.
What will the machines do a few moments before they die?
Maybe, for example, they will try to share their last moments.
It would be such a beautiful vision of the end.
It was supposed to be as simple as possible to work well with the music layer.
The main goal was to depict two robots and their last minutes of existence.
What will the machines do a few moments before they die?
Maybe, for example, they will try to share their last moments.
It would be such a beautiful vision of the end.
About the process
How it was made
The work on the animation lasted 5 months
and included different areas and disciplines such as:
3d modelling, riging, animation and rendering (in Zbrush, Cinema 4d and Redshift) and compositing, editing and effects (in After Effects and Premiere Pro).